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ROSEANNE

U.S. Actor-Comedienne  (from: http://www.museum.tv/archives/etv/R/htmlR/roseanne/roseanne.htm)

Roseanne (nee Roseanne Barr, formerly Roseanne Arnold) is the star of the situation comedy Roseanne, for several years the most highly rated program on American television and the centerpiece of ABC comedy programming. She is also one of the more controversial and outspoken television stars of the 1980s and 1990s. Her public statements, appearances on celebrity interview shows and feature articles about her life in magazines and tabloid newspapers often overshadow her work on the television show.

Roseanne's career did not begin in network dramatic television. In the mid-1980s, she starred in two HBO comedy specials and in the feature film She-Devil with Meryl Streep. When she did create the series character, it was based on her own comic persona, a brash, loudmouthed, working class mother and wife who jokes and mocks the unfairness of her situation and who is especially blunt about her views of men and sexism. Her humor aggressively attacks whomever and whatever would denigrate fat poor women--husbands, family and friends, the media, or government welfare policies. She has written two books about her life, Roseanne: My Life As a Woman and My Lives, and has often stated that her life experiences are the basis for the TV character and her comedy. Critics have described the persona as a classic example of the "unruly" woman who challenges gender and class stereotypes in her performances.

Roseanne's published self-disclosures provide a detailed public record of her life. She grew up in Salt Lake City in a working class Jewish family she has defined as "dysfunctional," a description that includes assertions of having been sexually molested by family members. A high school dropout, she reports getting married while still in her teens in order to get away from her family. She worked as a waitress and according to People magazine, began her comedy by being rude to her customers. Her career as a standup comic began in Denver, where her club appearances gained a following among the local feminist and gay communities. She toured nationally on the comedy club circuit and made well-received appearances on late night talk shows before starring in her own comedy specials on HBO. In 1986, the Carsey-Werner Company approached her with a proposal for developing a situation comedy based on the standup routines. The show would be an antidote to the upper middle class wholesomeness of the previous Carsey-Werner hit, The Cosby Show. The popularity of her sitcom, which first aired in the fall of 1988, has broadened the audience for Roseanne as a public persona and greatly increased her power within show business (she has been compared to Lucille Ball in this regard). But there have been missteps.

One highly publicized gaffe was her off-key performance of the national anthem at a professional baseball game, a performance that ended with a crude gesture. Still, the resulting flurry of outraged criticism from public officials and in the media did not diminish the popularity of the show. In another exercise of industry clout, she threatened to move Roseanne to a different network when ABC decided to cancel the low-rated The Jackie Thomas Show, which starred her then-husband Tom Arnold. The threat created real jitters among network executives until it was discovered that she did not own the rights to the show--only Carsey-Werner could make such a decision. Roseanne has also pushed boundaries by having her series take a number of risks by raising issues of gender, homosexuality, and family dysfunction. The forthrightness of these dramatic moments is rare in primetime sitcoms and despite their frankness, the series continues to appeal to a wide segment of the viewing audience.

The show's treatment of such charged issues is consistent with Roseanne's stated political and social views. While she does not write the scripts (for a time, then-husband Arnold was heavily involved in writing), she retains a good deal of artistic control. Many of the plots draw on aspects of Roseanne's life prior to her success, or refer to contemporaneous events in her "real" life. Other episodes may include entire dialogues proposed by Roseanne to address specific themes or issues. The show occasionally strays from the sitcom formula of neatly tying up all the plotlines by the end of the episode. As Kathleen Rowe notes, one year saw Darlene (Sara Gilbert), the younger daughter character, going through an early adolescent depression that continued for the entire season.

After eight years, the program continues to be extremely popular, now in syndication as well first-run, and some critics have argued that it has improved over its earlier seasons. Most recently, Roseanne herself has had a good deal more media exposure about her personal life--cosmetic surgery, divorce, remarriage, pregnancy--than about her political views or her career as an actor. In almost every case she seems able to turn such public discussions into more authority and control within the media industries, and her position as a major figure in that context seems assured for some time to come.

-Kathy Cirksena

 


 



 

 

 

 

 

 

 

ROSEANNE BARR: Born in Salt Lake City, Utah,
U.S., 3 November 1952. Married: 1) Bill Pentland, 1974
(divorced 1989), children: Jessica, Jennifer, Brandi, and Jake; 2)
Tom Arnold, 1990 (divorced 1994); 3) Ben Thomas, 1994.
Cocktail waitress in Denver and comedy performer
 in local clubs; The Comedy Store in Los Angeles, California, 1985;
 performed in television special Funny, 1985; performances on The
Tonight Show; appeared in HBO special Rodney Dangerfield--It's
Not  Easy Bein' Me, 1986; starred in HBO special The Roseanne
Barr Show, 1987; star of television series Roseanne since 1988;
co-executive producer of The Jackie Thomas Show, 1993-94;
starred in motion pictures since 1989. Recipient: Cable Ace
Awards for funniest female in comedy, 1987, Best Comedy Special,
Emmy Award for Outstanding Lead Actress in a Comedy Series,
 1993. Address: Full Moon & High Tide Productions, 4024 Radford
 Ave., Dressing Rooms 916-917, Studio City, California 90614.

TELEVISION SERIES

1988- Roseanne
1993-94 Jackie Thomas Show (co-producer)

MADE-FOR-TELEVISION MOVIES

1991 Backfield In Motion
1993 The Woman Who Loved Elvis

TELEVISION SPECIALS

1985 Funny
1986 Rodney Dangerfield - It's Not Easy Bein' Me
1987 Dangerfield's
1987 On Location: The Rosanne Barr Show
1990 Mary Hart Presents Love In the Public Eye
1992 The Rosey and Buddy Show (voice; co-producer)
1992 Class Clowns

FILMS

She-Devil, 1989; Look Who's Talking Too (voice), 1990;
Freddy's Dead,
1991; Even Cowgirls Get the Blues, 1994

PUBLICATIONS

Roseanne: My Life as a Woman. New York: Harper and Row, 1989.

"What Am I, a Zoo?" The New York Times, 31 July 1989.

"I Am an Incest Survivor: A Star Cries Incest." People (New York),
 7 October 1991.

My Lives. New York: Ballantine Books, 1994.

FURTHER READING

Cole, Lewis. "Roseanne." The Nation (New York), 21 June 1993.

Klaus, Barbara. "The War of Roseanne." New York (New York) 22
 October 1990.

Murphy, Mary, and Frank Swertlow. "The Roseanne Report."
 TV Guide (Radnor, Pennsylvania), 4 January 1992.

Rowe, Kathleen. The Unruly Woman: Gender and the Genres
 of Laughter.
Austin, Texas: University of Texas Press, 1995.

Van Buskirk, Leslie. "The New Roseanne--The Most Powerful
 Woman in Television.
" US (New York), May 1992.

Wolcott, James. "On Television: Roseanne Hits Home."
 The New Yorker (New York), October 1992.

 

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Click here for Saturday Night Live Transcript of Roseanne's February 16, 1991 Appearance

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Click Here for reviews of Roseanne's ABC show: "Roseanne"

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Behind the Scenes with Roseanne

(from: http://www.girlcomic.net/june2k1/june2k1_radar_roseanne.php)

Jen Kirkman, GC*net editor

Jen sneaks into a taping of Inside the Actor's Studio to hear Roseanne speak. Read this, for what you won't see on TV!

Law Breaker
I recently broke the law in order to hear Roseanne speak. Ok, I didn't break the law but I snuck into a taping of the Bravo channel's
Inside the Actors Studio to see Roseanne's interview. All right, I barely even snuck in. I arrived about five minutes before the taping.
With the aid of my friend who's a student at The Actors Studio,I calmly walked into the auditorium-style theater. I'm here to give you
the behind-the-scenes story that Bravo may edit out! Roseanne had poignant and pointed
thoughts about motherhood that she shared with the students of The Actors Studio, and me, the law-breaker.

Roseanne

Enter Rosie
I know Inside The Actor's Studio has a stigma attached to it (further emphasized by the spoofing on Saturday Night Live where will Ferrell
impersonates Actors Studio Dean James Lipton) that all of the "good' actors have already been interviewed. I was afraid that Roseanne,
being a stand-up-comic would be slightly condescended to. That wasn't the case at all. James Lipton announced up front that due to her
"authoring and acting'" the story of one mother's life on TV, Roseanne earned over the span of ten years:

Roseanne took the stage to a standing ovation. Her inaugural words as a guest on Inside the Actors Studio were to tell James Lipton that
besides "The Hitler Channel" (her name for the History Channel) Inside The Actors Studio was her favorite show. Roseanne then asked the
technical crew, "Are you guys gonna shove this microphone thing further up my arse?" James Lipton laughed, with one eyebrow still perfectly arched.

Stop! Lipton Time!
Before I get started on Roseanne, I have to say it was absolutely priceless to see James Lipton struggle to maintain control over a room full of giggling
Twenty-Somethings. As he turned to the camera to set up a commercial break, the lines between Will Ferrell's SNL impersonation and the real James
Lipton were blurred. I felt like I was watching Lipton parodying Ferrell, parodying Lipton.

The Only Jew In Utah
Roseanne said that there was nothing romantic about her struggle. She was part of the only Jewish family living in Salt Lake City Utah in the 1960's.
She was hit by a car and "checked herself into" a mental health facility for one year. "It wasn't cool to be a funny girl, and to top it off, I was fat and poor",
said Roseanne. She had Tourette's Syndrome as well. When asked by Lipton if she still suffered from Multiple Personality Syndrome, Roseanne grinned,
"I don't suffer anymore......... now I love it!"

The difference between a roomful of comics hearing that statement and a roomful of graduate students actors is that the actors responded with a
collective "hmmm". I felt like I was at a poetry slam or a staged reading of a play about social injustice. Roseanne did a double take at the audience and
screamed with laughter.

Hello Kitty!
It seemed like Roseanne was a little uncomfortable in her skin up there. Next to James Lipton, who at times seems like a robotic Walt Disney World
museum character, more than he does a human...who wouldn't feel uncomfortable? She struggled to look more at ease and he wanted desperately to
look cool. What television audiences don't get to see is that James Lipton is interviewing actors in front of an audience made up entirely of his students
(and me the criminal intruder). He can't let the guests shake him or throw him off or his authority is dashed.

The ice melted and eventually a few organic moments occurred that helped break the tension. The audience could now watch and listen to Roseanne's
story instead of witnessing two characters fighting desperately against appearing as their cartooned public images. Roseanne mentioned that she was
a great tap dancer, but had to quit because the lessons were too expensive, leaving the rich but less talented girls to continue on in their lessons. James
Lipton encouraged Roseanne to dance. An honest not put on "I don't want to dance!" "Yes, you have to" ensued and finally Roseanne gave in. She
hollered to the tech crew to bring her Hello Kitty socks. She removed her sandals, donned the socks and did a sort of times-step dance that was really
great. I know this because; I too, am an accomplished tap dancer (thank you, no really, thank you) and was analyzing her feet.

I said a silent prayer that she'd stay in her HK socks during the rest of the interview. My prayers came true. She kept the socks on while sitting "Indian
Style" (is there a new expression for that dated offensive term? Oh, I guess cross-legged) in her chair.

Lipton Says "Fuck"
She asked James if he was going to ask her about the infamous crotch-grabbing send up of the National Anthem. To that Lipton responded, "Roseanne,
I don't give a fuck". He was so proud of himself for saying 'fuck'. Roseanne laughed more at him than with him, but that's okay. He doesn't need to know
that.

Half-Nanny/Half-Granny
Roseanne told hard to believe stories about her grandmother who would cook for her provided that Roseanne inspect the corpses of tenants who died
in the apartment buildings that she ran. Roseanne reminisced about her grandmother's sandwiches sighing wistfully, "To this day, I like, crave
mayonnaise because of it." Roseanne laughed hysterically and commented on how dramatic that comment sounded by saying, "Oh my God! You hear
yourself talking about your life and the things you say that are supposed to be important."

Out of nowhere and most likely feeling confident after his I-don't-give-a-fuck-riff, Lipton asked Roseanne, "Is it safe to say that you're half-nanny and
half-granny?" To that Roseanne dead panned, "No, that isn't safe, James." Laughter erupted from these normally hmmm-saying students. For one
moment that room was a comedy club without the two-drink minimum.

It All Started At Bennigan's
I don't want to give too much away about Roseanne's life because I'm convinced that we'll interview her soon for Girlcomic.net, but she discussed her
stand-up comedy beginnings in Colorado. It was her male customers at the restaurant Bennigan's that pointed out that she was more than just
work-funny and that she should try her luck at the comedy clubs.

Roseanne told James that after years of having trouble getting stage time at "real" comedy clubs (places with the aforementioned drink minimums),
she found her home and honed her material at Unitarian lesbian church basements; safe havens where people came to support comedy. After winning
a comedy competition with the killer punch line, "Suck my dick" (which served one night as a pre-written punch line and dual attack on a heckler in the
audience), Roseanne was on her way.

Soon after moving to Los Angeles, Mitzi Shore (the Goddess of comedy club bookers for women) took Roseanne under her wing at the Comedy Store.
From there, Roseanne won her first spot on Johnny Carson and as comics now can only dream of, became an overnight success Carson's approval of the
Domestic Goddess.

Sex With Julio!
Roseanne admitted that one of her first gigs as a professional comic was on a cruise with Julio Iglesias. He was the musical entertainment. She admitted
that she had sex with him on the trip! However, Roseanne insists that now she abhors sex. How much of that was just what she felt like saying in the
moment, I don't know. I somehow just don't believe her. But she protested that with all of the hormones and pesticides being sprayed into food, "Oprah's
mad cows", Republicans in office again and the ozone layer that she didn't want to spend her time "fucking her life away".

What I love so much about Roseanne as a comic is that you don't see this desperate person inside trying to win your love. She's not just the
ex-unpopular kid who still needs approval and decided to get famous through comedy rather than killing people. Her humor has heart. It's simple. She
wants to use her gift to spread joy and to heal. One of the many brilliant things Roseanne said that night was that "laughter is a gift from God, a physical,
spiritual response that cleanses disease."

Motherhood
What kind of Domestic Goddess is a woman who isn't also a mother? According to Roseanne not a very good one. James Lipton's eyebrow almost shot
through the ceiling when Roseanne announced that, "Mothers are better than woman who don't have kids." She also believes that there needs to be some
kind of mandatory class that people have to take in order to raise kids properly, you know, the way that the Domestic Goddess would do it.

Roseanne turned to the audience and told them "the networks are never going to include this. But I have to say that most mothers have a hard time
because being a mother means you're also a woman. When the whole world is treating you like shit and putting you down, how can you not make
mistakes?" Roseanne ended the interview on a serious note telling the live studio audience that motherhood is the "highest calling" and the "most
underpaid, undervalued job."

Roseanne then left the set in her Hello Kitty socks to another standing ovation. James Lipton gathered up his seventeen thousand blue note cards
and exited stage left. I walked out of the auditorium feeling so privileged to have been in the same room as Roseanne; to hear the life story of someone
who never compromised in her career and still had the last laugh.

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COMMENTARY

Roseanne Barr: From Deification to Disgust
A heroine? A goddess? Or just a pig?

(from: http://members.bellatlantic.net/~taranto/archive/roseanne.htm)

BY JAMES TARANTO
New York City Tribune, Wednesday, August 1, 1990

The New York Post dubbed her "Roseanne Barr-f" and put her on the front page for two consecutive days. President Bush said her horrifying rendition
of the National Anthem, after which she grabbed her crotch and spat, was "disgraceful."

Aren't we taking Roseanne Barr a little too seriously? Bush's comment was indisputably accurate, but does this crude and corpulent comic really merit
the attention of the President of the United States? Probably not.

But Bush and the Post aren't the first to take Barr too seriously. San Francisco Chronicle columnist Adair Lara, for example, thinks Barr is a good role
model for her children. In an article entitled "Why Roseanne is a heroine" (written, one should note, before the recent commotion at Jack Murphy
Stadium), she explains: "I don't want my kids to swear at the world and belch and fart and stuff, but I want them to be this real, this honest, when they
grow up. I want them to like themselves this much."

If Barr as heroine and role model isn't enough for you, how about Barr as goddess? "Zeitgeist Goddess," to be exact--that's how she was characterized
on the cover of The New Republic in April.

Author Barbara Ehrenreich, who is something of a fixture in liberal opinion journals, found in Barr a "great working-class spokesperson." In extended
review of Barr's book Roseanne: My Life as a Woman, Ehrenreich writes that Barr represents "the hopeless underclass of the female sex: polyester-clad,
overweight occupants of the slow track; fast-food waitresses, factory workers, housewives, members of the invisible pink-collar army; the despised, the
jilted, the underpaid."

Yes, Ehrenreich informs us, Barr is a master of "the kind of class-militant populism that the Democrats, most of them anyway, never seem to get right."

Aspiring young class-militant populists will be interested to learn of Roseanne's path to the top. She left home in 1971 at age 19 to become a hippie.
She ended up working at a feminist bookstore in Denver, where she developed what Ehrenreich calls a "special brand of proletarian feminism."

Explains Barr in her book: "I began to speak as a working-class woman who is a mother, a woman who no longer believed in change, progress, growth
or hope."

Barr became a stand-up comic and offered her audience such gems as this: Heckled by a man in the audience for being insufficiently feminine, she
turned to him and declared, "Suck my dick."

"Yeah, she's crude," concedes Ehrenreich, "but so are the realities of pain and exploitation she seeks to remind us of."

You may have begun to suspect by now that Barr has some sort of systematic political plan to ameliorate the woes of the working class. Nope. "Not
given to didacticism," Ehrenreich reports, "Barr offers no programmatic ways out. Surely, we are led to conclude, equal pay would help, along with child
care, and so on. But Barr leaves us hankering for a quality of change that goes beyond mere reform: for a world in which even the lowliest among us--the
hash-slinger, the sock-finder, the factory hand--will be recognized as the poet she truly is."

Barr, the porcine poet, was roundly booed by a crowd who had come out to see a Padres double-header on "Working Women's Night." She let the Left
with another fallen idol.

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Exchange (President George Bush, Sr.) With Reporters Aboard Air Force One
July 27, 1990

(from: http://bushlibrary.tamu.edu/papers/1990/90072701.html)

Roseanne Barr

Q. The national anthem -- should there be a constitutional amendment to protect -- desecration of the national anthem?

Q. Yes, how about Roseanne Barr? What was your reaction to the song?

The President. My reaction is: It was disgraceful. That's the way I feel about it, and I think a lot of the San Diego fans said the same thing. But anyway,
that's -- --

Q. Does this mean that Roseanne Barr won't be coming to the White House real soon?

The President. There's no change of plans in that. [Laughter]

Q. You mean, you're going to stop watching her show?

The President. Which show?

Note: The exchange occurred while the President was en route from Washington, DC, to his home in Kennebunkport, ME. In his remarks, the President
referred to comedienne Roseanne Barr's performance of the national anthem at a San Diego Padres baseball game. A tape was not available for
verification of the content of this exchange.

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